Key Takeaways
- The debut of the “USA TODAY March” will be performed by the New Jersey Wind Symphony on May 15, 2026, at West Side Presbyterian Church in Ridgewood.
- Composer Jim Beckerman, a longtime journalist, wrote the piece as a tribute to his editor and as a celebration of America’s 250th birthday.
- Conductor Chris Wilhjelm, a Danish‑American music director, hand‑picked the orchestra, recruited principal clarinetist Rick Summers to arrange the work, and guarantees a polished premiere. – The article reflects on the historic link between wind symphonies and the march tradition pioneered by John Philip Sousa.
- Wilhjelm’s personal heritage, early musical upbringing, and dedication to elevating community musicians into a professional‑level ensemble shape the band’s repertoire and ethos.
- Audiences can expect a “fun” and well‑crafted premiere, with the March fitting naturally into the ensemble’s blend of serious literature and popular repertoire.
A Thrilling Moment Arrives
In the hush before a concert, the tuning of instruments sounds like the opening verses of Genesis—chaotic fragments gradually coalescing into ordered sound. The writer describes this exact scene as the New Jersey Wind Symphony prepares to rehearse the first public reading of his newly composed “USA TODAY March.” The anticipation is palpable, and the moment promises both personal and professional validation.
First Hints of the March
Amid the assorted tootings, plinkings, and snatches of melody, the composer hears fragments of his own “USA TODAY March” weaving through the ensemble. He recognizes that the piece, inspired by the grandiose style of John Philip Sousa, is finally taking shape as the orchestra begins to play in unison.
A Personal Test of Credibility
The debut carries significant stakes for the young journalist‑turned‑composer. He has convinced his editor, Liz Johnson, to publish the work as part of the newspaper’s 250th‑anniversary celebration and persuaded conductor Chris Wilhjelm to feature it on the program. The success—or failure—of this premiere will test his credibility in a field where he once imagined “witness protection” as a humorous alternative.
The Rehearsal Unfolds
When principal clarinetist Rick Summers lifts his instrument and blows a long F, followed by Bb and A, the rest of the 50‑plus musicians echo his line. Conductor Wilhjelm raises his baton, the downbeat sounds, and the ensemble bursts into full, synchronized play. The writer, overwhelmed, can only utter a stunned “You’re doing a fantastic job,” while fighting back tears.
Professional Praise and Unexpected Validation
After the rehearsal, the orchestra applauds the composer, who remains too stunned to applaud in return. Chris Wilhjelm tells him the piece is “really fun,” a simple phrase that proves the work has resonated with seasoned musicians. The writer, who has never before heard an entire orchestra interpret his music, feels both humbled and exhilarated.
Wind Symphonies and the Sousa Legacy
The article situates the New Jersey Wind Symphony within a tradition that dates back to John Philip Sousa’s own ensembles, which blended serious orchestral repertoire with popular marches. Unlike marching bands, Sousa’s groups were “serious orchestras with a popular touch,” performing works by Wagner, Grieg, and Debussy alongside his iconic marches.
The Conductor’s Background and Vision
Chris Wilhjelm’s Danish heritage informs his precise direction; his name, pronounced “Will‑yelm,” derives from a term meaning “head,” echoing both the helm of a ship and the conductor’s podium. Growing up under his father’s band direction, Wilhjelm toured Scandinavia as a teenager, later performing with major ensembles such as the Boston Symphony and Richmond Symphony before founding the New Jersey Wind Symphony in 1983.
Cultivating Excellence in a Community Setting Wilhjelm explains that the band was created to provide a professional‑level outlet for talented musicians living in the New Jersey suburbs—many of whom were overqualified for local parades. By dropping the word “community” from the group’s name after an early rave review declaring “This is no community band,” the ensemble quickly earned a reputation for performing ambitious works, including pieces by Paul Hindemith and Stravinsky’s Piano Concerto.
Repertoire That Marries seriousness and Celebration
When programming for holidays, the symphony balances rigorous literature with patriotic favorites. For its upcoming May 15 concert, the group will present David Maslanka’s Symphony No. 4 alongside the world premiere of the “USA TODAY March.” Wilhjelm assures that the orchestra will not present the March until the musicians are fully prepared, underscoring the premiere’s significance.
Future Performances and Public Reception
Beyond the May premiere, the New Jersey Wind Symphony will headline the Bergen County Star‑Spangled Spectacular on July 4, 2026, at Overpeck County Park, where the composer himself will conduct the March. Ticket information, performance times, and additional details are available on the ensemble’s website, inviting the public to experience a historic musical moment.
Reflections on Creative Journey and Community Impact
The narrative illustrates how a journalist’s curiosity can blossom into a commissioning creative achievement. By bridging journalism, composition, and community band culture, the author exemplifies how artistic projects can unite diverse audiences—from seasoned conductors to casual concertgoers—around a shared celebration of music and national heritage.
Conclusion
The upcoming debut of “USA TODAY March” stands as a testament to collaboration, rigorous preparation, and the enduring appeal of the wind symphony tradition. With the New Jersey Wind Symphony poised to deliver a polished, joyous performance, the piece promises to become a cherished addition to the modern march repertoire and a memorable milestone for all involved.