Vandalism Charges Loom for Woman Who Added Googly Eyes to Mount Gambier Sculpture

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Vandalism Charges Loom for Woman Who Added Googly Eyes to Mount Gambier Sculpture

Key Takeaways:

  • A 20-year-old woman, Amelia Vanderhorst, is accused of vandalism for putting googly eyes on a controversial sculpture in Mount Gambier, South Australia.
  • The sculpture, known as the "Blue Blob," cost the city $136,000 and has received public backlash due to its appearance and the city’s increasing rates.
  • The estimated damage from the vandalism is up to $2,500, and the case is set to return to court on January 20 for negotiations and finalization.
  • Vanderhorst has set up a GoFundMe page to raise funds for her defense, which has since been removed.
  • The case has attracted international attention, with many commentators saying the googly eyes improved the look of the sculpture.

Introduction to the Case
The case of Amelia Vanderhorst, a 20-year-old woman accused of vandalism for putting googly eyes on a controversial sculpture in Mount Gambier, South Australia, may be coming to a close. Vanderhorst briefly appeared in the Mount Gambier Magistrates Court in person for the first time, accused of one count of vandalism for allegedly damaging the Cast in Blue sculpture, also known as the "Blue Blob," on September 13. The police estimated the damage at up to $2,500. The sculpture has been a topic of controversy in the city due to its appearance and the cost of $136,000, which was paid by the City of Mount Gambier, while rates increased by 10% in 2024 and 8% in 2025.

The Sculpture and Its Controversy
The Cast in Blue sculpture, designed to represent a mythical version of the megafauna once found in the South East, has been a subject of public backlash since its installation in July. The sculpture’s appearance has been met with criticism, and the cost of $136,000 has been a point of contention, especially given the city’s increasing rates. Despite the controversy, the city’s mayor, Lynette Martin, has defended the sculpture, stating that while people may not have to like it, they should not engage in wilful damage. The sculpture has been vandalized twice, with chunks of paint chipped off about two weeks after its installation, and stickers placed on it in September, which could not be removed without damaging its surface.

Vanderhorst’s Case and Defense
Vanderhorst’s case has attracted international attention, with many commentators saying the googly eyes improved the look of the sculpture. She has not entered a plea and has engaged a lawyer, Michael Hill, to represent her. Hill told the court that he would need time to organize a contract to represent Vanderhorst and for negotiations with the prosecution. Vanderhorst has set up a GoFundMe page to raise funds for her defense, which has since been removed. The page had raised about $1,000, with Vanderhorst stating that she did not mean to harm or offend anyone with the googly eyes and was seeking help to pay for her lawyer.

Court Proceedings and Next Steps
The case is set to return to court on January 20 for negotiations and finalization. Magistrate Koula Kossiavelos ordered the case to be adjourned, allowing time for Vanderhorst’s lawyer to organize a contract and for negotiations with the prosecution. During her last appearance in November via phone, Magistrate Kossiavelos encouraged Vanderhorst to apply for legal aid funding, but instead, she opted to set up the GoFundMe page. The outcome of the case is still uncertain, but it is expected to be resolved next month.

Conclusion and Reflection
The case of Amelia Vanderhorst and the Cast in Blue sculpture has sparked a debate about the value of public art and the role of vandalism in expressing dissent. While some have praised the googly eyes as an improvement to the sculpture, others have condemned the act as wilful damage. The case has also highlighted the challenges faced by young people in accessing legal representation and the importance of community support in such situations. As the case comes to a close, it will be interesting to see how the court resolves the matter and what implications it may have for future cases of vandalism and public art.

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