Saving Melbourne’s Forgotten Town Halls: Dust, Decay, and a Multimillion‑Dollar Fight

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Key Takeaways

  • Many of Melbourne’s historic town halls, such as Fitzroy, South Melbourne, Prahran, and Brunswick, sit largely unused after 1990s council amalgamations stripped them of their civic functions.
  • Stephen Jolly, Mayor of Yarra, advocates repurposing under‑used spaces like Fitzroy Town Hall’s ballroom to house council staff and community activities, arguing that the buildings are valuable assets being wasted.
  • The 2018 roof collapse at South Melbourne Town Hall, which flooded the Australian National Academy of Music’s offices, exposed severe neglect and triggered a costly restoration project now budgeted at $110 million and slated for completion in mid‑2028.
  • Restoration plans aim to blend heritage preservation with modern performance needs, incorporating large windows, advanced acoustics, and flexible spaces for public festivals, while addressing community concerns about losing the building’s historic character.
  • Other town halls face similar challenges: Prahran’s upper storey is deteriorating, Merri‑bek’s Brunswick Town Hall has only a modest $73 000 budget for upgrades, and stakeholders stress that ratepayers alone cannot fund major redevelopments.
  • Successful models, such as North Melbourne Town Hall, demonstrate that combining theatre, workspace, retail, and library functions can deliver community value far beyond pure financial returns, provided governments collaborate with the private sector and philanthropy.
  • Revitalising Melbourne’s town halls requires foresight, substantial investment, imaginative programming, and partnerships that honor heritage while meeting contemporary civic and cultural needs.

Fitzroy Town Hall’s Current State and Civic Ambition
Stephen Jolly, the Yarra mayor, stands in the dimly lit arched corridor of Fitzroy Town Hall, slapping a swipe card against a reader that refuses to grant entry. He notes the ballroom beyond is “gigantic” yet largely empty, describing the atmosphere as akin to a morgue. Jolly laments the waste of valuable inner‑city land, insisting the building could be humming again if newer council offices in Richmond were sold and staff redistributed across the municipality’s three town halls, with Fitzroy upgraded to accommodate them.

Historical Context: Amalgamations and Under‑Use
Fitzroy Town Hall is a Victorian‑era relic that has sat mostly empty since the 1990s statewide council amalgamations ordered by Liberal premier Jeff Kennett merged Fitzroy with Collingwood and Richmond to form the City of Yarra. Though the City of Yarra resumed council meetings there in 2025 after a hiatus, the building’s civil life remains marooned in history, its high ceilings making heating and cooling costly and its rooms filled with dust, stripped paint, and remnants of former councillors’ tea cups.

Vision for Renewed Utilisation
Jolly imagines the ballroom revived for council work, community gatherings, and perhaps cultural events, turning a currently under‑used asset into a vibrant hub. He stresses that inner‑city land is prohibitively expensive, so leveraging existing historic structures is both pragmatic and respectful of the city’s heritage. The challenge lies in securing the vision, funding, and political will to transform the space from a silent monument into an active civic centre.

The South Melbourne Town Hall Roof Collapse
In October 2018, a rotting structural beam gave way at South Melbourne Town Hall, sending ceiling tiles, steel joinery, and wiring crashing onto the desks of two Australian National Academy of Music (ANAM) staff. The incident was followed by a sprinkler malfunction that dumped over 12,000 litres of water, flooding the premises. Nick Bailey of ANAM summed up the situation: the building had not been cared for, raising urgent questions about safety and future viability.

Impact on the Australian National Academy of Music
ANAM had occupied the retired town hall since 1996, after South Melbourne merged with Port Melbourne and St Kilda to become the City of Port Phillip. Although the council owned the building and could lease it, the academy’s tenancy did not guarantee upkeep. Local historian Adair Bunnett recalled that when the community was occasionally allowed inside, they found gaffer‑taped floors, cobwebs, and deteriorating furnishings, leading to a negative perception of the academy’s presence.

Community Reaction and Restoration Planning
The roof collapse galvanised a restoration effort that quickly grew in scope and cost. Bunnett, a leading community agitator, initially feared the renovations would erase the building’s historic character and keep it locked to a single tenant, depriving the public of access. She highlighted the hall’s social‑welfare legacy—sites of the first infant welfare centre and Meals on Wheels coordination—arguing that its value lies in community use, not merely acoustic performance.

A Vision for Mixed‑Use Revival
After discussions with architect Peter Elliott and Bailey, Bunnett grew comfortable that the project could honour heritage while serving broader public needs. The restored design will feature massive double‑sashed windows, acoustic panelling resembling books, and rigs for sound and lighting that can fly equipment above musicians in the round. Beyond ANAM’s training and performance spaces, the plan includes hosting events such as the Melbourne International Comedy Festival and writers’ festivals, aiming for nightly activity throughout the week.

Financial Challenges and Timeline
Initial estimates pegged the restoration at $65 million, but unforeseen structural issues—particularly the need to replace virtually every service and the roof—have driven the cost to $110 million. The City of Port Phillip has doubled its contribution to $40 million, while ANAM is supplying $70 million (half from philanthropists, half from government funding, with $10 million still under negotiation with the Victorian government). Consequently, students are not expected to return until mid‑2028, placing the project four years behind schedule.

Architectural Outlook and Future Experience
Elliott describes the undertaking as a once‑in‑a‑generation chance to bring the building into its next 50 years. While half the work addresses the academy’s specialised needs, the other half focuses on repairing the building’s infrastructure. He predicts that, upon completion, stepping inside will feel like entering “a whole nother world,” where historic façades conceal cutting‑edge performance technology and flexible community spaces.

Prahran Town Hall and Political Push for Partnerships
In Prahran, MP Rachel Westaway sits in the library beside tall arched windows that overlook a small, fenced‑off courtyard. She notes that civic buildings erected over a century ago occupy prime locations, yet many—like Prahran Town Hall—are under‑utilised as Chapel Street’s retail precinct wanes. Westaway argues that revitalisation demands collaboration across all levels of government and with the private sector, lest ratepayers bear impossible financial burdens.

Merri‑bek’s Limited Resources and Aspirations
Further north, Merri‑bek City Council is working with a modest $73 000 allocation for the next year to upgrade Brunswick Town Hall’s facilities. Mayor Nat Abboud hopes the hall can become the “elder sibling” to the neighbouring Mechanics Institute, which has been reborn as an arts venue. Abboud acknowledges that, since COVID, the building has seen reduced use, underscoring the need for incremental improvements while larger visions await funding.

Broader Lessons: Community Value Over Pure Economics
Historian Chris McConville points to North Melbourne Town Hall as a successful exemplar, blending theatre space, workspaces, retail, and a library. He contends that the true worth of such edifices lies not in dollars earned but in the value they provide to the community that funded them through rates. McConville urges fitting economic models around this intrinsic community worth rather than letting financial metrics dictate preservation decisions.

Path Forward for Melbourne’s Town Halls
Adair Bunnett’s evolution from sceptic to supporter illustrates the importance of dialogue: after sitting down with Bailey and Elliott, she recognised a shared respect for history that outweighed earlier disagreements. Her outlook—“Let’s have a cup of tea” after a “ding‑dong battle”—captures the collaborative spirit needed to rescue Melbourne’s forgotten town halls. By aligning heritage preservation, imaginative programming, multi‑sector funding, and genuine community engagement, these grand buildings can transition from silent monuments to thriving centres of civic and cultural life.

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